
The students had always found this teacher to be intelligent, and thoughtful. He never censored them, and was interested in their opinions. They respected him, and thought him a good teacher.
On Thursday, he came and asked them, “can we just talk?” And so they put the syllabus aside and talked, about philosophy, culture, politics. The big stuff. But there were hints that all was not OK. He divulged embarrassing personal details: he was 30, still lived with his parents, didn’t have a girlfriend.
The next day he came to class, and started the same. He spoke of Nietzsche, Confucious, the Sino-Japanese war, liberty, equality, freedom, the past, the future – but these students weren’t at a level of Unclese where they could fully understand him. But still he spoke, he rambled, on and on. One of the French students described it as, “mettre son âme à nu” – literally, “undress his soul”.
And then, in the midst of this undressing of the soul, he undressed his body as well. For fifteen minutes, in front of a shocked, horrified class, he stood, talked, completely naked.
When this true and scandalous story rippled through the university that day, eventually reaching me in the afternoon, it saddened me greatly, and has haunted me ever since. How desperately lonely he must be. How shocking this act, how incredible, but also how human.
Isn’t that what we all want? For people, for someone to know we exist. Know that I am here. See me for what I really am.
And is this blog not a similar kind of sad, self-exposure?
Only days earlier I read this disconcerting story, of a lonely and isolated Unclese student in Sydney who went mad and stabbed a cabbie to death. There is madness in the air. Do we all stand teetering on the edge? What does it take for someone to so suddenly slip and find themselves falling?
I worry about what prolonged loneliness may do to me.
I met a guy at a party and thought him tall and attractive. I liked how deliberately he talked. He had a masculine presence, and when I talked to him I felt like he was really all there, a full person, giving me his careful, clear and undivided attention. And there was something intriguing about him, he didn’t seem like the rest. And I was certain he too was curious about me.
Then I felt a huge, angry sock in my stomach. No!
Why do I do this? Why do I over romanticise like this? Why do I see magic in a moment that has none? There was no special connection, this isn’t the beginning of a story, of which I am a protagonist. I and he are not interesting, sexy or worthy of writing about. There is nothing and no one in this. We are just two strangers sharing the same space. We are all alone together, not touching.
I blame novels. I blame movies, music and art. But most of all, I blame novels.
I am on the verge of finishing Jean-Paul Satre’s The Age of Reason, and I blame him. Life, and the people in it, will somehow never be as alive as the invented reality of that novel. Because in that fictional existence, every single element has a purpose. Every single thing serves a higher meaning, something concrete and purposeful – the beauty of the narrative.
But in my narrative – that is life – there is no point. Things are just there, for no reason, and they don’t give a fuck about me, and any need for something real, and deliberate.
When this guy saw me, he probably saw an empty body, and felt nothing. When I saw him, there was nothing beyond my projected desire for authenticity, meaning, connection, love, respect, friendship, – and a narrative that has some sort of point, some bracketed subtext where I could say “the reason why this happened is because …, and how extraordinary and worthy it was.”
Instead of being here, like a ghost. All of us living in suspended states, revolving door strangers, together alone, not touching.








































